Archive | June, 2012

Unconditional Music Love: “I love to hear you sing”

8 Jun

I remember being in 6th grade and singing a song to myself in school — maybe at recess? maybe in the cafeteria? — and some boy saying, “Hey, who sings that song?” After I called out the name of the singer, the boy said, “Better let HIM sing it then…’cause you sound AWFUL!” Ha, ha. Very funny. And I can still feel the sting of that “joke.”

As children go through life, they all encounter “music bullying” like this. Sadly, it seems to be a part of our culture. As parents, perhaps we can provide an antidote to this kind of music bullying. WE CAN SING!  The more our children hear us sing, whether we’re “good” at it or not, the more they develop an understanding that music is just something we do as part of our daily lives, regardless of what other people do or say. And, we can say to our children, “I LOVE TO HEAR YOU SING” — regardless of what they’re singing or how they’re singing. (Of course, we can do the same thing with instrument play: “I love to hear you fool around on the guitar.” Or, “I love to watch you play the drums.” And we can fool around and play ourselves, too.)

Instead of being so focused on the end result, saying, “I love to hear you sing,” simply honors the process of singing, regardless of outcome. It’s unconditional musical love. Instead of saying things like, “You sound great,” (which is all about the product, not the process) it’s easy just to say, unconditionally, “I love to hear you…,” or, “I love to see you…” That’s what I strive for in music class — with the children AND the parents — and it’s what I strive for at home. I’m hoping that when some music bully says to my kids, “You couldn’t carry a tune if it was in a bucket!,” the unconditional music love antidote will go to work, and they’ll just keep on singing.

Watch Your Step!

4 Jun

Today in class, I noticed a lot of foot-watching going on. At one point, a crawling baby stopped and stared at our grown-up feet as we marched to the “top of the hill” and back down again. Another time, a toddler alternated between moving her feet and stopping to scrutinize ours. She even bent down in the middle of the song and peered intently, trying to get a close-up view of our steps.

Adults tend not to spend time foot-gazing. At lunch, for example, I opt to talk and laugh above the table top, instead of bending down under to stare at my friend’s feet. Along those same lines, the grown-ups in music class tend to engage with each other eye-to-eye, not eye-to-foot. So, we forget that children watch everything: faces, hair, arms, hands, shoulders, hips, legs, and — yes — feet. When we’re standing up, our legs and feet might receive more of the children’s visual attention than our other body parts. In those moments, what we do with our feet becomes more important to the children, and that gives us a golden opportunity to turn our toes into teaching tools.

While moving around the room — either in class or at home — take advantage of your child’s foot-focus and exaggerate your walking, marching, stomping, waltzing, and tippy-toe-ing. Your strong, purposeful movements will give your child a clear model for how to move to the beat, with her feet. It may be a long time before she is able to accurately imitate your movements, but every time she sees your beats in your feet, she is learning volumes about beat and movement and music.

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